But when Conan and Doom meet at the top of the Mountain of Power, it was, for me, a rather unsettling image to see this Nordic superman confronting a black, and when Doom's head was sliced off and contemptuously thrown down the flight of stairs by the muscular blond Conan, I found myself thinking that Leni Reifenstahl could have directed the scene, and that Goebbels might have applauded it.Īm I being too sensitive? Perhaps.
He is played here by the fine black actor James Earl Jones, who brings power and conviction to a role that seems inspired in equal parts by Hitler, Jim Jones, and Goldfinger. It involves the handling of Thulsa Doom, the villain. Since this Conan could have so easily looked ridiculous, that's an accomplishment.īut there is one aspect of the film I'm disturbed by. Ron Cobb, the sometime underground cartoonist who did the production design on this film (and on " Alien") supervises an effort in which the individual frames actually do look like blow-ups of panels from the Marvel Comics "Conan" books. At a time when most of the big box-office winners display state-of-the-art technology, "Conan" ranks right up there with the best.
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The movie is a triumph of production design, set decoration, special effects and makeup. Schwarzenegger's slight Teutonic accent is actually even an advantage, since Conan lived, of course, in the eons before American accents. What's nice is that they also create entertaining versions of their characters they, and the movie, are not without humor and a certain quiet slyness that is never allowed to get out of hand. Physically, they look like artist's conceptions of themselves. Arnold Schwarzenegger is inevitably cast as Conan, and Sandahl Bergman as Valeria. Howard's tale of a superman who lived beyond the mists of time, when people were so pure, straightforward, and simple that a 1930s pulp magazine writer could write about them at one cent a word and not have to pause to puzzle out their motivations. "Conan the Barbarian" is, in fact, a very nearly perfect visualization of the Conan legend, of Robert E. There are a lot of battles and a few interesting nights at crude wayside inns and, in general, nothing to tax the unsophisticated. This requires him to journey to the mysterious East, where he learns a little quick kung-fu, and then to the mountainside where Doom rules his slave-priests from the top of his Mountain of Power. With the Mongol and the Queen at his side, Conan ventures forth to seek the evil Thulsa Doom and gain revenge for the death of his parents. Sometimes she engages in sloppy talk about love, but you can tell she's only kidding, and she quickly recovers herself with cover-up talk about loyalty and betrayal - emotions more central to Conan's experience and maturity. She is lanky and muscular and a great sport, and she can ride, throw, stab, fence, and climb ropes as good as a boy. Valeria is everything you could ever hope for in a woman, if you are a muscle-bound preadolescent, of course.
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